copyright 2020 R.L.Rippee
Thursday, December 31, 2020
Friday, December 25, 2020
Wednesday, November 25, 2020
A Friendly Holiday Reminder from Nancy
A moment from Ernie Bushmiller’s classic comic strip, Nancy
Another glimpse of days gone by in the Nancy universeI borrowed these clips from Tom Heintjes of Hogan’s Alley
https://twitter.com/Hoganmag
Happy Turkey Day
Sunday, November 22, 2020
“In Place” Group Art Show
For most of my almost twenty year run with the San Geronimo Valley Community Center I have functioned as the Visual Art coordinator, organizing monthly shows in the two gallery spaces of the Center and availing myself of the remarkably large and deep pool of local Valley artists.
Of course, that all changed with the pandemic and we slowly shifted to the virtual realm with online exhibits and Zoom panel talks and presentations.
Through October and November, we hosted an online group art show titled ‘In Place’, guest curated by Anne Faught. The show’s focus was to emphasize the creative possibilities that could emerge from the isolation and necessary acts of resilience during this pandemic.
I'm not going to try to recreate that show on this blog but I will provide a peek at what we were up to. So here are just a few of the highlights. (You can probably still find the show on the Center’s website: https://www.sgvcc.org/in-place/ or Facebook https://www.facebook.com/sangeronimovalleycommunitycenter/ or Instagram https://www.sgvcc.org/in-place/
“Future Past” by James Finnegan
“A Balanced Heart” by Richard Lang
“Selfie with Mask 2” by Barbara Morris
“Al Hidd, Bahrain” by John Torrey
By the way, donations can be made to the San Geronimo Valley Community Center to support all the good deeds the Center does (and not just art) here: https://sgvcc.z2systems.com/np/clients/sgvcc/donation.jsp
All art copyright respective artists
Thursday, October 29, 2020
Sunday, October 4, 2020
Ron Cobb: September 21,1937--September 21, 2020
During the recent succession of distractions from fire threats, power outages, sheltering (from both virus and fire pollution) and general political, social economic and environmental chaos much potential posting has passed us by.
One passing I would like to acknowledge is the death of one of the great cartoonists, illustrators and designers, Ron Cobb.
Many obituaries and commentaries focused on his Hollywood film design work (and for good reason).
Cobb also worked on Raiders of the Lost Ark (1981), Back to the Future (1985), Aliens (1986), Total Recall (1990), True Lies (1990), The 6th Day (2000) and the TV series Firefly among many other projects.
But my favorite work is the political cartoons that he drew in the late 1960’s and early 1970’s for the L.A. Free press and distributed to numerous underground newspapers of the day.
Take note: These cartoons were drawn decades ago. Yet they seem to be responses to current events --which may not say so much for our progress as a society but a lot for Cobb’s prescience.
Ron Cobb also offered this Ecology logo to the public domain in 1969.
You can discover more on the remarkable Ron Cobb by digging up his old cartoon collections (good luck) :
Works copyright of Ron Cobb or respective holders
Thursday, August 13, 2020
Another Covidtoon: The Outbursts of Everett True
"For ye suffer fools gladly, seeing ye yourselves are wise" the Bible says...but not if you’re Everett True, the cartoon creation of the great (but often neglected) A. D. Condo.
Condo drew the Outbursts of Everett True in the early half of the last century (1905-1927). In each cartoon True would blast someone who annoyed him (and lots of things annoyed True). In this example,
The remarkable Condo also created a cartoon panel, Mr. Skygack from Mars, about a Martian visitor who came to Earth to observe and record human behavior. That was a feature that he created in 1907 (!) and still worth checking out.
Thursday, August 6, 2020
Larry and Molly’s 2020 Box
The annual Box Show is the major fundraiser for Gallery Route One in Pt. Reyes Station in west Marin county.
The way it works is: Each artist is given an unadorned pine box (dimensions vary each year). You can pretty much do anything to it as long as elements of the original the box remains in the piece.
This year, of course, the show is largely virtual but the show goes on.
Here’s what we did.
Here’s the reverse side