Showing posts with label Cindy Miracle. Show all posts
Showing posts with label Cindy Miracle. Show all posts

Monday, July 29, 2024

Exhibits by Cindy Miracle and Susan Doyle

This month we hosted two knock out solo shows in the Maurice Del Mue Galleries at the San Geronimo Valley Community Center—Cindy Miracle and Susan Doyle.

 

Of all the years I’ve put together art shows for the SGV Community Center (I’ve sorta lost count but it’s well over 15 years), 2024 has resulted in some of my favorites exhibits. These two exhibits are high on my list.


Cindy Miracle

Fleur de Lis


Cindy Miracle is a painter and printmaker living in West Marin. She studied drawing, painting and printmaking receiving her BFA at Cal-State Fullerton. After graduating she worked as a cartographer and scientific illustrator, returning to academia to earn an M.F.A. at Claremont Graduate School. 

 

I find Cindy’s mix of printmaking techniques pretty complex. She works mostly with monotypes, monoprints, solar plates and light-sensitive ImageOn plates --as well as bits paper employing the Chine colle process


Back Road in Green and Purple

Back Road to Petaluma

Back Road to Petaluma

An Extra Hand?

Past Lives at the Chateau Orquevaux

Fantasy Garden

Two Choices

Pink Clouds on a Cold Day

Flame Coloured Forest, this one is oil and encaustic medium

Cloudy Skies over the Orquevaux, and this one is oil and graphite

On the far left is Pisces Over Alberti which I failed to get a good shot of (click to enlarge)

Hugo’s Garden in Pink

The Masked Ball

Cindy Miracle has exhibited at the O’Hanlon Center for the Arts, Artspace, L.A., Renwick Gallery in the Smithsonian, Purdue University, Weber State College and the Awagami exhibition in Japan.


Susan Doyle


Susan Doyle also resides in the San Geronimo Valley, Marin County.

 

Transferring from UC Davis where she took tractor driving, she graduated from UC Berkeley and became a Spanish teacher. 

 

After living in Spain and then working as a research analyst in Washington DC, she returned to the Bay Area and started a design, silkscreen business. Discovering a fiber sculpture class at College of Marin taught by Carole Beadle, she found my true passion and have been making art ever since.


There’s a lot going on in this room so let’s start with the linen tapestry “You’ve Come a Long Way Baby?"

 

Linen, photo transfer, embellishments









Susan’s artwork is inspired from current events and her experience of the world around her. Much of her work is political in nature including her recent body of work about the proliferation of book banning in the United States. 

 


Crime Scene






Crossing Arizona
Aluminum Arizona tea cans, wood, brass nails



(These photos don’t do justice to this piece)

El Dorado
El Dorado alludes to the journey immigrants make from Latin America to reach the ‘golden cities’ of the U.S.
This piece is Fabric, stitching.embroidery thread, maps and wood



San Francisco Homeless Count
February 23, 2022
Tissue paper, acrylic ink and stitching

Kei
Clay, sgraffito technique

Lelani
Clay, sgraffito technique

Cake in the Time of Corona and Its Consequences
“I baked a cake every week and ate it. The next month I are only salads.”
Tea dyed fabric, lace, photo transfer, trapunto, stitching


Susan Doyle’s work has been exhibited in the DiRosa Center for Contemporary Art, Napa, Randall Museum, San Francisco, Sebastopol Center for the Arts, San Jose Museum of Quilts and Textiles, Falkirk Cultural Center and Mayson Gallery, Chelsea, NYC.

 



All works copyright by the respective artists




Saturday, November 21, 2015

Pressing Matters VI: Printmakers Group Show

This November we hosted the 6th Annual printmakers show at the San Geronimo Valley Community Center--probably my favorite reoccurring art show of the year.

"Man with Hat",  Intaglio by Bea Benjamin
As usual the show highlights local print artist’s etchings, woodcuts, linocuts, lithographs, screen prints and monotypes.

This year’s featured artists include Bea Benjamin, Fred L. Berensmeier, Geoff Bernstein, Martha Cederstrom, Diane Cokely, Danielle Fogel, David Getz, Art Hazelwood, Elan Kamesar, Veronica Buros Kleinberg, Sophie Larsen, Katya McCulloch, Cindy Miracle, Elaine Nehm, Larry Rippee, Gabriele Schwibach, Susan Shannon, Connie Smith Siegel, Sam Vaughn, Xander Weaver-Scull and Melissa West.

Here are a few examples:

"Phillip Petit, World Trade Center 1974", Intaglio on cardboard plate also by Bea Benjamin
A knock out piece by Melissa West:
"La Penitente", a linoleum block print on fabric.

"Corn Goddess/Corn Demon", woodcut by Art Hazelwood


"Two Cages" scratch-foam, pencil, rice paper, plexi  by Danielle Fogel.


“Brown Pelican (Endangered Species Now Recovered)” by Xander Weaver-Scull

For this print Xander made his own ink out of soil, water and maple syrup.
The print itself is a stencil using watercolor.


"The Border Wall Divides All Life" a screenprint by Art Hazelwood


"The Golden Book of Art", 4-Color linocut reduction by Katya McCulloch


“Songbirds of Iraq”, 12-color, 2-block linocut reduction by Katya  McCulloch

Both of these incredibly complex prints are part of the "Absence & Presence” project, an international touring printmaking response to the bombing of Al-Mutannabbi Street.


"Star Shaman and Raven Dream the First Signature of the Human Being"
a linocut by Fred Berensmeier

"Colorado II" a screenprint by Dave Getz

"Colorado III- Shooter's Bible" also by artist /musician Dave Getz


"Stripes for Pompeii" a monoprint using solar plate and Chine Colle by Cindy Miracle.


"Santa Maria Novella" monoprint (with image on plate) by Cindy Miracle.


"Silver and Black" monoprint (using encaustic medium on plate)
also by Cindy Miracle.


"Bubba" an etching by Sophie Larsen

"Desolation Angel 2", a great stone lithograph by Sam Vaughn.

"Limbus Infantium 1" a hand toned stone lithograph also by Sam Vaughn.

Wonderful stuff. Great variety.
This really is only a portion of the exhibit. Hopefully I'll have a chance to put up more images from the show soon.