Retiring is harder than I thought. But then again, I never did it before. It has it’s own learning curve.
Here’s a nice article from the San Geronimo Valley Community Center’s quarterly paper Stone Soup.
Retiring is harder than I thought. But then again, I never did it before. It has it’s own learning curve.
Here’s a nice article from the San Geronimo Valley Community Center’s quarterly paper Stone Soup.
As of last week I’ve retired from the San Geronimo Valley Community Center where I worked in Arts and Events. I’ve already said it all in my recent column in the Center’s quarterly newspaper Stone Soup. So, rather than rehashing here it is:
I’ve worked with Laura Kradjan-Cronin many times over the years exhibiting her work as a solo artist and in numerous group shows in the Maurice Del Mue galleries ay the San Geronimo Valley Community Center.
In fact, we just had her in a pop-up show in early October.
But Laura also has a solo show in the Marin Valley Gallery at the Marin Valley Mobile Country Club in Novato.
Here are a few pieces from both of those shows.
Here’s another cartoon clip of days gone by. This one by the legendary Herblock from 1949. You know, back in the olden days when various groups found it politically useful to scapegoat school teachers.
Every so often I post an old cartoon clip here under the heading "Things Don't Change Much" (aka Cartoon Deja Vu).
This one is a little different.
In this instance, the cartoon by Vaughn Shoemaker (date unknown, but certainly a few decades old), the topic (persecuted people) is familiar but what is absent is the divisiveness that seems almost mandatory today.
Just as interesting is the fact that Shoemaker was a political conservative and founder of the Christian Artists Fellowship Club He said he began each cartooning work day with a prayer. Today, more often than not, the 'persecuted' are demonized by conservative media.
(You can see more "Things Don't Change Much" cartoon clips by going to the search box in the upper left corner)
Guy Colwell has a new historic graphic novel out titled Delights: A Story of Hieronymus Bosch published by Fantagrpahics.
As a kid in the San Francisco Bay Area I was a dedicated follower of The Wonderful World of Brother Buzz Show and, in fact, a card-carrying member of the Brother Buzz Club (Actually, I had a Brother Buzz club button, I don’t recall if there really was a Membership card).
The creator of the TV show, script writer, voice artists and head puppeteer/marionettist was Ralph Chesse. Over the years, I learned more about this remarkable creative artist and was very pleased to learn that the SF Public Library had decided to highlight his life and varied career.
Ralph Chesse: A San Francisco Century was exhibited this summer in the Jewett Gallery of the Main Branch of the SF Library. The exhibit was curated Glen Helfand. Here’s a glimpse of the show.
Ralph Chesse life work defies easy definition. He was a painter, printmaker and muralist, an actor (in theater, television and film), and a puppeteer. Sometimes these different talents ran in tandem other times they seemed to collide and happen creatively all at once.
Chesse was born in 1900 in New Orleans of Creole heritage. It seems he started painting there (with a bit of instruction from the Chicago Art Institute).
He also got his first introduction to theater in New Orleans as an occasional actor and stage designer. It seems Chesse was first exposed to puppetry around 1925 when he moved to San Francisco and met Blanding Sloan.
In 1929, Chesse launched his Marionette Guild producing adaptions of works by the likes of Moliere. During the depression his work was supported by the Federal Theater/WPA.
Chesse usually created his own block print posters for his performances.
In 1934, Chesse was one of 25 artists selected by the WPA to create a mural for Coit Tower.
In 1936, he was appointed Director of Puppetry (There’s a title I never knew existed). His job ultimately was to oversee Federal Theater puppetry units throughout the state of California. And in 1938 he produced and performed “Snow White and the Seven Dwarves” at the Golden Gate Exposition on Treasure Island.
Through the difficult years of the Great Depression and World War II Chesse continued to struggle along with his combination of puppetry, freelancing art, teaching and gallery shows.
He began working in local television in 1950. In 1952, he began the Wonderful World of Brother Buzz sponsored by the Latham Foundation for the Promotion of Humane Education.
Somehow while creating and performing a weekly TV show, Chesse managed to continue to juggle his other interests—creating puppets for the SF Opera and SF Symphony, exhibiting in galleries in SF, New York, New Orleans and Paris, and appearing as an actor on TV and on stage. (By the 1970’s, he was appearing in movies such as THX 1138, Raid on Entebbe, and Tell Me A Riddle).
Over the years, I’ve chanced upon different aspects of Chesse’s remarkable life but this exhibit did a fine job of bringing some attention to an under acknowledged creative figure.